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Softcover 288 pages
ISBN 1–57423–198–7
$18.95Another Woman Who Looks Like Me
new poems by Lyn Lifshin“Lifshin is here to stay. For men, she’s sexy. For women, she’s an archetype of gutsy independence. As a poet, she’s nobody but herself. Frighteningly prolific and utterly intense. One of a kind.”
—San Francisco Review of BooksIt is Lyn Lifshin’s gift to seem perfectly artless, to make poems of immediacy and power from the humblest of near-to-hand materials. Her themes are the classic themes of lyric poetry—the innocence of childhood, the ecstasy of sex, the mystery of death—and her word choices are the poetic equivalents of the artist’s circles, squares, and primary colors. Just as Alexander Calder could make a lion out of a coat hanger, Lyn Lifshin can make something memorable out of a handful of even the most familiar English words—mother, daughter, wind, moon, lover, horses, roses. Something memorable, something fresh and entirely her own.
Blue Sunday
imagining that he slips
from her the way rings
do from a finger in
the cold. Leaves. October,
black spots on the mirror.
Separation blues in the
bed. Touching his shoulders
here on paper, he’s like
all the flowers that I
draw, bright wild petals
that don’t connect to
any stem
Softcover, 244 pages
ISBN: 1-57423-114-6
1999, $17.95Hardcover, 224 pages
ISBN: 1-57423-115-4
1999, $28.95
Before It’s Light
new poems by Lyn LifshinLyn Lifshin’s is a reader’s poetry—immediate and accessible, seemingly artless, conveying complex, womanly truths with an everyday vocabulary. To describe it as a kind of feminine folk art is not to condescend; it is instead to recognize in it the naked power of a Bessie Smith blues lyric, the stirring eroticism of a burley-q fan dance, even, on occasion, the simple, balanced beauty of a Shaker quilt. Before It’s Light is Lifshin’s latest collection, and her largest and strongest to date.
“These direct, spare, autobiographical poems evoke memories of an unlovely girlhood ... a stormy marriage ... the pain of losing a mother ... the struggle to regain self-sufficiency after bad relationships. As always, Lifshin trawls deep waters of submerged passion beneath the surface of everyday life, coming up with a teeming, glistening catch.”
—Tom Clark
Softcover, 280 pages
ISBN: 1-57423-040-9
1997 $15.95Cold Comfort: Selected Poems 1970-1996
by Lyn Lifshin"Magnificently crafted poems, terse as needlework" (Choice)—these concise field reports from a woman warrior at the front line of feeling confirm the suggestion of Ed Sanders that Lyn Lifshin qualifies as "a modern Emily Dickinson."
Lifshin writes with energy, fire, and truth of the common world of experience. Bearing signs of struggle, pain, and loss, these poems carry the history of the body with agony and pride, as enduring tokens of what it is to be alive.
Not Quite Spring—
Baby you know I get high
on you, come back with me
whispering in her ear
it was all she could do to say
no, spring leaves budding
his hand on her breast
crocus smell an
everything unfolding
she gasping I want, I
would but instead hurrying
back to the windowless room
where she locks the heavy door.
Lemons are rotting on her pillow,
she studies her nipples,
nyloned crotch in mirror
then hugs her huge body to sleep
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